
This lady came in with her own version of a line drawing taken from some cartoon. We went with a green body and she chose light magenta and yellow for extra goodness. She wanted it cute, and I was happy with the result. He's little at 1½" square.

This lady came in with her own version of a line drawing taken from some cartoon. We went with a green body and she chose light magenta and yellow for extra goodness. She wanted it cute, and I was happy with the result. He's little at 1½" square.
I'll admit I've actually been happy with about seven or eight tattoos so far. Not content, but happy. Sure, I'm always critical of my own work. But I don't really see any other way of doing it. It's not that I'm specifically trying to push myself to get better. It's more of a desire to duplicate what I see in my head.
And doing so means acquiring the skill and prowess to learn the tools I'm working with. Every tattoo a lesson; a deposit into the kitty of which I'll eventually draw my winnings. Maybe one day I'll hit that jackpot and achieve what I'm looking for, but for now I've got so much to learn.
So what is it that I'm working towards one year later?
Efficiency. An economy of precision.
It's working hard to nail what I need to on the first pass. More in and out accuracy, less over and over hamburger meat. I want to adjust my art to meld with the skin of its new owner. While I can't be around during the healing process, I can do better to regulate the ink, trauma, and comfort.
I've been emailed questions about L.A. Ink lately. I'm not sure why, and my take isn't worth much, but I'll certainly chip in an opinion.
There's a scene in Pollock, when Jackson (played by Ed Harris) is walking through Lee Krasner's home looking at her work. He's obviously skeptical until he sees a painting he likes. His demeanor changes and he interjects with surprise: "That's a damn good picture. That works.... you're a damn good woman painter."
Her sex played a role in his doubts, but that skepticism was assuaged by her talent.
I have yet to see an episode of L.A. Ink, but I'm familiar with all of the tattoo artists that'll be included. Predominately women, Kat has assembled an impressive cast. ("Cast" sounds strange, right?) And, really, I'm interested in hearing the same sort of antiquated talk directed towards damn good women tattooers.
My quick take on the cast?
As Kat's work just gets better and better, it's closing in on beautiful. Hanna Aitchison produces colorful and exciting tattoos. As much as I enjoy her pin-ups, it's her style that spreads across every single piece I enjoy the most. Kim Saigh has impressed me for years. The work that has come out of her at Cherry Bomb is incredible. In fact I see it every day on my mentor, Drew. Being able to stare at his full sleeve by Kim has taught me a lot about color. And finally, Corey Miller. With his experience, history, and talent, he's continuously pumped out quality work for years.
So when it's all said and done, I may not be thrilled about listening to people's stories behind each tattoo (if that's the route the show takes)... because that's like watching work. But I'm more than happy for each and every one of the artists. All are deserving of the success the show will bring. Even more importantly, all produce art that needs to be seen by the public.
Related Media:
Eric Balfour getting tattooed on YouTube.
Well, to both celebrate my one year anniversary and to thank you, my good looking reader... I'm holding this contest. The winner will receive his or her idea tattooed to completion, for free. Plus $200 for hotel and/or food money.
To enter, send an email to dutchpink@gmail.com.
The subject has to be "Allen Tattoo Contest" and the body must include the following:
1. Full name
2. Location
3. Tattoo idea (in detail - feel free to write it out, sketch it, scan it, etc.)
4. Is your idea a color or black & grey piece?
5. Where, on your body, you want the tattoo.
I'll choose based on what I want to tattoo and what can be completed within the two days I'll give.
Rules, regulations, and other crap after the jump...
I'm tired, but I wanted to post this tattoo I just finished on Jake. It's his first tattoo and he sat like a champ. He loved this piece from Cam De Leon's portfolio and wanted it to look close. He asked for the rectangle shape like the original. So I was a little worried, because square shapes get distorted by the dimension of the body... but the end result came out fine. In fact, the piece would have looked weird with some of the curves I was throwing at on paper anyway.
This was a fun piece to work on.
Oh, and you know there's a contest going on, right?


We always make a point to add our own take and spin into the final tattoo design. But this is my frequently requested images starting point. Dang, that's hard to say. Having been compiled over the last few months, it's ready for use. Freeware fonts were scoured, eyes ran tired, and I finally just created two fonts so I can use it easily.
Hopefully, I won't get in trouble for aggregating these together... so, um, feel free to contact me if there are any problems with usage.
Of note: I picked based on quality of image, accuracy when enlarged, and how the image will transfer into a tattoo.
DOWNLOAD the Font Compilation (70kb) - ZIP, 2 TTF files for PC
PDF Font Reference (140K) - Two pages of font letter references for print

How do I install these fonts in Windows? Well, unzip them, then go here.

Quick Outline Tip
Some of these are already outlines. Some are not. For those that are not, It may seem obvious, but all I do is type the letter in Photoshop, enlarge it, then I change its color to white - the same color of the paper. This effectively hides it so we'll be able to see our upcoming outline.
Now, make sure the layer is selected in the Layers palette; it needs to be dark blue (if its not, just click it). Then, use the top menu: Layer > Layer Style > Stroke. Then I mess with the options: size= around 5 pixels, position is usually "inside", and color=black. Hit OK and enjoy your outline.
Yep, that's right, one whole year of tattooing is near. And it just so happened that today was a slow day in the shop. It seems the local Catholic church was having a carnival, so in honor of fried fish and beer gardens I decided to tattoo St. Theresa on my left thigh.
Well.
Actually I've had this planned out for some time. Ashlee and I were lucky enough to have walked around Bernini's sculptures in Rome. His Ecstasy of St Theresa inspired this piece. I sought out other versions, other paintings, to use... but you get the idea.
This is the first session: an hour and a half of good times. (View larger version here) The goal was to get the outline completed enough to be able to use for later. But I didn't want to use a liner, so I setup a 9 mag and came at some spots with full force and others at an angle. Once it heals, I can fine tune to my heart's content.
The final piece will be substantially large, so I'd like to post every session I complete. Because I don't have much time to work on myself, it'll be interesting to see the progression over, say, fifteen small sessions. Maybe it'll help me pick my mind publicly. If not, you'll just get to see a lot of my left thigh.
Nice.
Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world. -Edward Hopper
Before my venture into tattooing, having cash on hand was rare. All purchases required my debit card and photo ID. Both of which were annoying to always locate (I scatter stuff everywhere) but became habit.
With no direct indicator of how much was being spent, I found myself either spending too much or spending little to avoid... the spending of too much. After getting married, I slowed changed my default tendency to spending less. Sure we spend, but nobody wants to be the one who messes up the books. It's was a solid compromise.
Then came cash. I don't make a ton, but I do make some. There's certainly a difference from nothing (an apprenticeship) to something (working the floor).
Sometimes it's filthy and ragged, boasting no glimpse of its former utilitarian glory. Other times it's so crisp and clean that it sticks to itself, making it difficult to sort through. Either way, having cash in my pocket feels great.
Oh, and I even developed favorites. The best is a 20 note, boasting that picture of Old Hickory with his long face and foamy hair staring off sternly to his left. I enjoy his company even though he doesn't really speak to me much anymore. I used to hear him trailing off about how he "shouldn't have taken land from all of those Indians". But he got sick me of telling him how the term "Indian" is not cool either.
Anyway.
It's so easy to spend when you've got a small wad in your pocket. The worry of pulling too much from the bank had gone! All concerns of messing up the register had vanished! I could stand in line anywhere and simply grab cash out of my pocket and buy anything I wanted. No questions asked, no photo ID, and no PIN number.
Then the new headache became obvious. Um, bills are pulled from the bank. In order for those bills to be paid, that bank has to have an ample supply of cash. If the cash is depleted before I even reach that bank... we're in trouble.
Oh yeah.
It took awhile, but now I'm much more frugal. If money continues to come in, and hopefully even picks up, I'll need to rely on that balance of less spending.
Also, a footnote to other tattooers:
As hard as it can be to not buy a DVD after every day of work, I've got to think about my future. In an industry with no direct health care, workers comp, or retirement plant, I'm quickly realizing that I have to somehow take the initiative by securing my finances.
I've seen many shop owners who have it figured out, but few guys actually working in those shops have taken the necessary steps: myself included.
The difficulty is the commitment required to figure it out. And I certainly know how much I shun extra commitment. Even seeking a financial adviser seems like too much work. But somehow I need to buckle down.
I've created a new section, Tattoos 100 - 125 in the gallery. A handful of new images have been lovingly placed and commented on, so feel free to browse.
Posting has been slow because we have a sick baby. Hopefully he's on the upswing and I'll be posting soon.
Update: Well, little Xavier has salmonella wandsworth. You know, from the lovely Veggie Booty recall. Crazy. I guess it's the first outbreak in the US. The last reported outbreak was about 30 years ago in Hong Kong.
It'll sure be nice when his stomach cramping goes away.